FAN CLUB [Staten Island] |
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The FAST [New York City, New York] |
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The FINDERS [San Francisco, California] | |
1980-1983. In San Francisco during the late 70's, the musical scene was very intense and underground. Among the bands which brought powerpop to the punk scene were The Rockers (see entry). In 1980, after a self-released 7" EP, the band (minus guitarist Carl Jeppesen with the addition of a new bassist Jon SanFilippo and later a second guitarist, Mark Newcomb) changed its name and became The Finders. It seems that The Finders were a very popular act in San Francisco. Their material was very similar to The Rockers, maybe with a bigger sound. Two singles were their sole available output at the time, even if the band actually spent time in the studio on recording an entire LP (involving ex-Move manager Tony Secunda, as producer). In fact, these sessions were riddled with problems, and as you can guess it, the album masters never saw the light of day, being derelict in some studio closet until recently. Fortunately, Phil Schraub managed to pick up the masters and with the help of his brother Dennis and John "Rock" Perga, they have revitalized their own Squid Music label (the Finders publishing home). Their "great lost album" (the two singles plus 8 unreleased tracks) can now be heard for the first time thanks to a CD release. Squid Music has also put out two additional Finders CDs, the former including live performance and the latter demo material. | |
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David FINNERTY & THE JACKALS [?] |
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The FLAMIN' GROOVIES [USA] |
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The FLASHCUBES [Syracuse, New York] | |
The Flashcubes were a great, kind of cult band from Syracuse, NY. The main songwriter/singer, Gary Frenay had a real knack for ultra catchy chorus, with a pronounced Rasperries-esque obsession while vocal-wise, he could remind the experienced ear of Greg Kihn. Maybe the strong point lied in the fact that the Flaschubes had three musicians with strong personality : in addition to G. Frenay, the band could rely on Arty Lenin and Paul Armstrong, occasional writers but not devoid of talent. While Armstrong had already left for 1.4.5., the band changed his name circa 1980 to Screen Test. The band only had two singles and eventually in 1997 a long-awaited compilation entitled "Bright Lights" with a lot of unreleased tracks. You can read the complete band history in the booklet. One more reason to get it. | |
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FOOLS FACE [Springfield, Missouri] | |
Hailing from Springfield, Missouri, McCoy, Frink, Dwyer and Coffman started out Fools Face in 1974. These bandmates confessed that the early sound of the band was more geared towards Genesis' style of pop "with a lot less energy" than they had later and that "the songs tended to be slower, more plodding, more involved". However that might be, they eventually got revitalized with the `77 punk wave, harking back to pop and the likes of The Raspberries. Around this time, Wirt, formely with Rudy and the Razors which was the "closest thing to a straight punk Springfield has ever seen", joined the group and give its definitive way. The band had a local big following with a "reputation of a hot live band". Undeniably the strength of the band turned out to have four fine songwriters and as much vocalists, everybody (except drummer T. Dwyer) -- at a given time -- having made handsome contributions to the best album tracks ... but also to their quirkiest moments. | |
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The FURYS [Orange, California] |
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The GEMS [Kansas City, Michigan] |
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The GO [Yonkers, New York] | |
The GO were a group out of Yonkers, NY. The band basically began as a cover band but decided there was no enjoyment in that, so began writing and recording their own material, playing the NY/NJ club circuit at the height of the "punk/new wave" era with several CBGB appearances. Through a chance coincidence, some early 4 track recordings caught the ear of producer Rob Freeman (who had engineered the debut LPs of the Ramones, Blondie & Robert Gordon). Rob worked with the band to develop some of the writing skills and then agree to produce the 4 song ep on the band's own label for Tidal Wave Productions. Followed a creative period with 40 or so songs that were recorded in Ken's house on a teac 4 track recorder. Lack of commercial recording success and feeling somewhat leery of the impending "new romantic /synthesiser" sound, The GO broke up in 1982. | |
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The GOOD [Buffalo, Missouri] |
Featured Bob Kozak, formerly in The Jumpers. |
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GOOSES [Cleveland, Ohio] |
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The GREAT BUILDINGS [?] |
[Danny Wilde (vocal/guitar),Richard Sanford (drums), Philip Solem (guitar/vocals), and Ian Ainsworth (bass/keyboard/vocals)] Wilde went on to release on solo album for Geffen before teaming up again with Solem to form the Rembrandts in 1990. |
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Michael GUTHRIE [USA] |
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Pearl HARBOUR & THE EXPLOSIONS [USA] |
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